Peng Yi-Hsuan / 彭奕軒
2026
2025
2024
2023
Whiteboard Marking
Time Files Over Us But Leaves Its Shadow Behind
What are you up to here?
2022
Gili the dog
THE SUNSHINE READERS
Path Dependence
The Pattern of Oasis
This is the way
2020-2021
1.Post-Heisei－Fire Light
No Regret Strategy
Code Blue
Natural Monument: for gif
2014-2019
Impermanent Marks
Mist Dissipated
Good Luck
The Smell of Sunshine
Field Sequins
Scenic Marker
Yōuxián de xū xū
CURRENTLY EXHIBITING
1.Living Grids
2.After them
Info
Peng Yi-Hsuan is a Tainan-based artist and spatial practitioner who develops a cross-disciplinary and decentralized mode of practice through the interplay of artistic production, spatial operation, and publishing. His work extends beyond the making of artworks, focusing on how “things” are transformed, circulated, and reorganized across different systems.
Centered on the framework of Dong-Xi Shi (Things ,Acts,and Beings), Peng approaches objects as active agents that move between image, drawing, and ceramic processes, while also extending into exhibitions, residency programs, and publications. Rather than emphasizing singular outcomes, his practice builds evolving structures that can accommodate collaboration, exchange, and long-term dialogue.
As a co-founder of Tu Xing Studio and Zit-Dim Art Space, Peng has been actively facilitating connections among artists, curators, and researchers across Asia. Through residency programs and inter-institutional collaborations, he develops a network-based approach grounded in shared resources and distributed nodes. This model prioritizes sustained exchange over one-directional presentation.
His practice ultimately operates as a crystallizing model — where distributed nodes converge into structure, generating an expanding network of relations and agency.
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3. Path Dependence
仰賴著路徑
仰賴的路徑/Path Dependence 60頻道錄像
自2020年日本山口縣秋吉台駐村創作作品，以「天然紀念物」此命名去對應人類與自然關係下的短暫永恆，以漫遊者身份完成的自然紀念碑。
「太陽出生於洞穴，最終也死於洞穴」
當時遇到一位洞穴研究者，他對我說有關於大自然的故事，但我卻將這樣的故事連結到如同gif的循環概念，去產生出自己製作的gif。
所謂的「gif」這樣的格式，是我們一般日常頻繁使用的符號、切片的意義、表情的傳達，在這樣短暫且循環的形式中，現今傳達訊息的方式已經有許多中介方法。
仰賴的路徑作品中，集結了2020-2022之間許多人的故事，因為全球疫情影響下，對於每個我們所關注的事物，產生了更多回歸屬性，包含家庭、個人身心、事業、慈善。
透過瑞銀藝企做愛心活動，參與了許多慈善機構相關的踏訪，在全台灣各地拜訪、拍攝、訪談、介紹等等，台中惠明盲校、南投原聲教育協會、原住民文教協會單位的拍攝。在作品中也展示出與人有關的影像光譜，透過實地的走訪真切了解這些單位所致力於的任務。
路徑的依賴，介接了每一個人的故事，在一個短暫且循環的影像裡。