Peng Yi-Hsuan / 彭奕軒


2026
2025
2024
2023
      Whiteboard Marking
      Time Files Over Us But Leaves Its           Shadow Behind
      What are you up to here?

2022
       Gili the dog
       THE SUNSHINE READERS
       Path Dependence
       The Pattern of Oasis
       This is the way
2020-2021
       1.Post-Heisei－Fire Light
       No Regret Strategy
       Code Blue
       Natural Monument: for gif
2014-2019
      
      Impermanent Marks
       Mist Dissipated
       Good Luck
       The Smell of Sunshine
       Field Sequins  
       Scenic Marker
       Yōuxián de xū xū


CURRENTLY EXHIBITING

1.Living Grids

2.After them


Info

Peng Yi-Hsuan is a Tainan-based artist and spatial practitioner who develops a cross-disciplinary and decentralized mode of practice through the interplay of artistic production, spatial operation, and publishing. His work extends beyond the making of artworks, focusing on how “things” are transformed, circulated, and reorganized across different systems.

Centered on the framework of Dong-Xi Shi (Things ,Acts,and Beings), Peng approaches objects as active agents that move between image, drawing, and ceramic processes, while also extending into exhibitions, residency programs, and publications. Rather than emphasizing singular outcomes, his practice builds evolving structures that can accommodate collaboration, exchange, and long-term dialogue.

As a co-founder of Tu Xing Studio and Zit-Dim Art Space, Peng has been actively facilitating connections among artists, curators, and researchers across Asia. Through residency programs and inter-institutional collaborations, he develops a network-based approach grounded in shared resources and distributed nodes. This model prioritizes sustained exchange over one-directional presentation.

His practice ultimately operates as a crystallizing model — where distributed nodes converge into structure, generating an expanding network of relations and agency.




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Post-Anthropocene/
後人間世 
台灣美術雙年展平行展




〈毋留遺憾：太陽曬過的味道 & 連結〉No regret strategy: The Smell of Sunshine & Link，現場裝置包含UVC 紫外線殺菌燈及白板機器人，由藝術家透過手機遠端書寫，經過除菌，無人空間內的白板機器人如鬼魅般自動留言，潔淨純白的室內空間猶如一座無菌真空室。

彭奕軒，〈毋留遺憾：太陽曬過的味道 & 連結〉，2020，UVC 紫外線殺菌燈、白板機器人，尺寸視場地而定。藝術家提供。展區: 國立臺灣美術館 102展覽室PENG Yi-Hsuan, No regret strategy: The Smell of Sunshine & Link, 2020, UVC light, Joto - the robotic drawing board, Dimensions variable, Courtesy of the artist. Venue: National Taiwan Museum of Fine Arts, 102 Gallery 






後人間世 Post-Anthropocene 禽獸不如 — 2020台灣美術雙年展 平行展後人間世 Post-Anthropocene

展覽時間：2020/10/17 – 2020/12/14
主辦單位：國立臺灣美術館、節點藝術空間、過海的藝術計畫
地點：節點藝術空間（台南市永福路二段84號，永福國小旁）
指導單位：文化部‬
禽獸不如 — 2020台灣美術雙年展 平行展後人間世 Post-Anthropocene
展覽時間：2020/10/17 – 2020/12/14
策展人陳子澂（香港）André CHAN、黃又文（台灣）‭ ‬Erica Yu-Wen HUANG
展出藝術家：張根耀 Ken-Yao CHANG（台灣）陳漢聲 Heng-Sheng CHEN（台灣）何兆南 South HO （香港）羅家南 Bosco LAW Ka-Nam （香港）李嘉瑩 Kit LEE（澳門）林盈潔 Yin-Chieh LIN（台灣）劉星佑 Sing-You LIU（台灣）彭一航 Yi-Hang PENG（台灣）彭奕軒 Yi-Hsuan PENG（台灣）冼朗兒 Stephanie SIN （香港）曾家偉 Eason TSANG Ka Wai （香港）王思遨 Nicole WONG （香港）