Peng Yi-Hsuan / 彭奕軒


2026
2025
2024
2023

      Whiteboard Marking
      Time Files Over Us But Leaves Its           Shadow Behind
      What are you up to here?

2022
       Gili the dog
       THE SUNSHINE READERS
       Path Dependence
       The Pattern of Oasis
       This is the way
2020-2021
       1.Post-Heisei-Fire Light
       No Regret Strategy
       Code Blue
       Natural Monument: for gif
2014-2019
      
      Impermanent Marks
       Mist Dissipated
       Good Luck
       The Smell of Sunshine
       Field Sequins  
       Scenic Marker
       Yōuxián de xū xū


CURRENTLY EXHIBITING

1.Living Grids

2.After them


Info

Peng Yi-Hsuan is a Tainan-based artist and spatial practitioner who develops a cross-disciplinary and decentralized mode of practice through the interplay of artistic production, spatial operation, and publishing. His work extends beyond the making of artworks, focusing on how “things” are transformed, circulated, and reorganized across different systems.

Centered on the framework of Dong-Xi Shi (Things ,Acts,and Beings), Peng approaches objects as active agents that move between image, drawing, and ceramic processes, while also extending into exhibitions, residency programs, and publications. Rather than emphasizing singular outcomes, his practice builds evolving structures that can accommodate collaboration, exchange, and long-term dialogue.

As a co-founder of Tu Xing Studio and Zit-Dim Art Space, Peng has been actively facilitating connections among artists, curators, and researchers across Asia. Through residency programs and inter-institutional collaborations, he develops a network-based approach grounded in shared resources and distributed nodes. This model prioritizes sustained exchange over one-directional presentation.

His practice ultimately operates as a crystallizing model — where distributed nodes converge into structure, generating an expanding network of relations and agency.




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2. The Sunshine Readers



THE SUNSHINE READERS:BOOK TWO


REVISED BY KAKU JIMBO

AND

A.F>THOMAS M.A OXON. M.R.S.T




          
昭和七年八月十日印刷

昭和七年八月十五日發行

中學校英語科用

這是一本1932年的英文教科書,在2018年高雄駁二無關書店(已歇業)與這本書相遇,當時我所關注的主題為〈太陽曬過的味道〉作品製作,可能只是在某個書本命名與時機點收藏了這本書。

在收藏這本英文教科書仔細翻閱後,發現了這是一本曾經有主人的書,在最後書頁尾端簽下的名字「江上光之」,金澤中學校二年級,除了時隔90年的簽名之外,他也如同每個人在學習過程中,會將筆記或是標記在課本上,讓我回想起,曾經的課本原文被標註過多的手寫筆記淹沒,或許在那個時間點,這樣的自然動作是將一本知識學習架構下的書籍透過自己的方式進行書寫,在我閱讀這本書時,同時也在感知
「兩個光」,這是我想到的一個對應,在2018年高雄駁二,我將一頁提起,拍下當時太陽光穿透過的這一頁,後頁的文字以不一樣方式顯露背面。在書本上有全面的書寫標記來自於90年前的江上光之,以及現今我透過閱讀留下的標記,這兩個標記雖非重疊性的學習方法,但卻重疊在同一本書上。




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一個月​

一本書​

高雄市鹽埕區新樂街213-15號​

歡迎書室閱讀​

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